Against the backdrop of a global outcry and the battle against systemic racism, this essay examines the role of whiteness—as an idea, rather than as a racial category—in the maintenance of an acculturated system of power. I argue that race and racism are not the root of the problem but the symptom, and that the deeper issue resides in the inhumanity of institutions: in this case, the institution and culture of art, its values, its manifest self-regard, its exclusionary and controlling force.
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