The goal of this special issue is to consider how research is integrated into museums’ future strategies, to reflect on how collaborations among researchers, artists, and curators work, and outline the key applications of practice-based research. In order to address these concerns, the materials selected for the issue focus on the question of method, which allows a new conceptualization of the museum as a research hub.
There have been a number of exhibitions in the last five years that have explored queer themes and adopted queer approaches, yet the position of queer in museums remains precarious. This article explores the challenges of this museological landscape and the transformative potential of queer curating through two projects: Queer British Art, 1861—1967 (Tate Britain, April–September 2017) and Being Human (September 2019–present).
This article characterizes the relationship between the museum and its visitors as a dialogic process that enables a play between the public narratives of the museum and the private narratives of the viewers. The museum is presented as a performative site where its dominant socially and historically constructed pedagogy engages in a critical dialogue with the viewer's memories and cultural histories.