Luísa Santos

Issue 04 of The Garage Journal publishes innovative scholarship on the relationship between the moving image and the museum. It analyzes ways in which cinema, video art, and curatorial practices inform and influence each other. Dissecting this intricate relationship, the issue challenges traditional assumptions and opens up a discourse where affinities and oppositions coexist.

For the closing of Issue 4 of The Garage Journal, the author adopts one core methodology common to the practices of both film and curating: storytelling. All stories have a time, a space, and characters. Following the Rashomon effect, each one of the stories below could offer entirely different points on the relationships between the moving image and the museum.