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Editorials

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  • Editorial. The Museum as a Research Hub

    The museum increasingly recognizes visibility as a power to build associations, networks, and communities. This special issue considers critically how these new powers are invested in curatorial practices and how they are invoked in the contemporary and historical settings. We put the visitors at the center of our consideration, including their participation in the process of re-defining the purpose and scope of research in the museum. The purpose of this intervention is to consider how research is integrated into museums’ future strategies, to reflect on how collaborations among researchers, artists, and curators work, and outline the key applications of practice-based research. In order to address these concerns, the materials selected for the special issue focus on the question of method, which allows a new conceptualization of the museum as a research hub.

  • Editorial. After Crises: Art, Museums, and New Socialities

    Titled ‘After Crises: Art, Museums, and New Socialities’, the issue explores a variety of crises and socialities from a range of perspectives, including the ideas of (in)visibility, (dis)continuation, and (non)representation. Paying attention to different kinds of crises (political, social, economic, health, and other), the issue surveys a range of cultural contexts, including Japan, Hong Kong, Russia, and the United States, and explores how new socialities are replacing existing identities. Through research articles, practice-based essays and visual essays, discussions and research-based artworks, the contributors offer a critique and conceptual proposition for the arts and institutions emerging from the global pandemic, too. The issue will be of interest to researchers, artists, curators, art managers, and all those working on contemporary issues in arts and humanities.