Playing the Self and Other Otherwise: A B Movie Journey through Low-Expectation Co-Creativity and Outsider Knowledge
My co-creator David Ross and I made what we called ‘ethnographic B movies’ as the central element of my doctoral fieldwork. These low budget and cheesy speculative fiction films, written primarily by David, became an opportunity for him to share his ideas of a revolution based on the concept of the Musicality of Reality. The films gave David a chance to perform himself otherwise: no longer on the socio-economic margins, as a failed academic living on a senior’s fixed income, but as a legitimate thinker leading a global movement. Together, we gave into and created a mad world of possibility, a place where I could also become an Other to my ethnographic self, performing a version of my actual self as always unsure about what was happening in the field. In this visual essay, I share a series of film stills in a montage-like fashion and with an accompanying text, to mirror the absurd silliness of our films inspired by the B movie genre. I focus on moments across our filmic output that highlight how giving into playfulness provided very serious self-disclosure opportunities both for David and for myself. By bringing the reader into the space of our films in this way, I want to encourage others to experiment and play with the possibilities of ethnographic becoming afforded by low aesthetic expectations and absurdist creativity.
